Time Passing and Dreyer’s English

I started this blog over six years ago to chronicle the experience of learning to write.  I knew it would be a journey, even though I believed myself to be a good writer already. (Ha!) I thought at the time it would be a process somewhat like getting a power boat up on a plane:  Plowing slowly through understanding structure and technique, reading the classics in my genre, learning the ins and outs of the publishing industry. Finally rising to the plane, where my writing would zip along.

To some degree, that is the way it’s been, although the plowing process has been longer than I expected. And continues ad infinitum, I think.

Along the way, I joined critique groups that have helped me immensely, though I often feel that my critique earns me a red-lettered ‘stodgy’ across my forehead.  Yes, my formal training took place a long time ago. Yes, I use Chicago Manual of Style and Strunk & White. But calling out an incorrect lie/lay or take/bring sometimes gets flared nostrils and a roomful of sighs. And we’re not even talking about the singular use of ‘they’ or the vanishing comma.

Pertinent to grammar and style, I just ran into what I think may be this generation’s style guide:  Dreyer’s English, by Benjamin Dreyer. It’s an erudite, clear guide to the way English should be written with an emphasis on clear communication, rather than hard and fast rules. Also, funny and fun to read. He begins by exhorting we writers to go a week without writing Wan Intensifiers and Throat Clearers like very, rather, really … you get the drift. We should all go many more weeks than one with very (oops) few of these.

Another thing I like about the book is Dreyer has been at this work for two decades. I think that gives him acute judgement about which changes in style are transient and which are here to stay. All in all, a fine book.  Who knows? I may be able to rub out that ‘stodgy’.

Author: John Rogers

I have thought of myself as a writer for most of my adult life. In 2011, I became a fiction writer full time. I studied creative writing as an English major in college. Then came family and career. I worked in finance and biotech and did a wonderful stint in Vienna. Now, I have the opportunity to use those experiences as the substrate for my stories. My first novel takes on the world of Big Data and the very timely issue of cyber war. The second uses the manipulation of financial derivatives as impetus for attempted murder during a trip from Vienna to Budapest on the Danube. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis. I am finding writers’ groups to be very helpful as concept editors, as well as practical advice from the published authors. I am in three such groups. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis.

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