Evolution of Agency?

I just had an interesting and hopeful experience.  At least one literary agency is wrestling with the issue all have been struggling with:  the tsunami of queries made possible by the Internet. And this one, Bookends, seems to have cracked the code of how to deal with the flood in what people from other industries would consider professional.

The Old Way … The New Way’s Worse

I’m readying myself to take my first novel to market and have thus been looking at agents’websites.  A pretty standard note encourages submissions, then says something like:  “Unfortunately, due to the large number of queries and submissions we receive, we cannot acknowledge receipt, we cannot enter into correspondence about our decisions, and we cannot return material.”

In the world I come from, that would be an admission of failure to manage one’s business. Nerve-wracking to be sending one’s work into a black hole.

Bookends uses an online submission form, then gives an address where one can track the progress of one’s submission.  Fight technology with technology.  Good for Bookends. For me, the change is hugely positive, because it cuts off the loose ends that are endemic with the send-it-off, wait, wait, wait cadence of most query activity.  It also made me realize that small, ongoing pain of not knowing is worse than the pain of rejection.

Anyway, kudos to Bookends.

… AND Spencerhill Associates, using same form

… AND the great online resource, query tracker.net … which has apparently bridged the gap between keeping track of a writer’s queries and managing the submissions literary agents receive.  BIG kudos on helping the industry put at least a toe in the waters of twenty-first century electronic media!

Author: John Rogers

I have thought of myself as a writer for most of my adult life. In 2011, I became a fiction writer full time. I studied creative writing as an English major in college. Then came family and career. I worked in finance and biotech and did a wonderful stint in Vienna. Now, I have the opportunity to use those experiences as the substrate for my stories. My first novel takes on the world of Big Data and the very timely issue of cyber war. The second uses the manipulation of financial derivatives as impetus for attempted murder during a trip from Vienna to Budapest on the Danube. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis. I am finding writers’ groups to be very helpful as concept editors, as well as practical advice from the published authors. I am in three such groups. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis.

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