Sailing and Editing

cotuit-skiffs-racing
Cotuit skiffs a-racing

At risk of straying into overwrought metaphor, editing is a bit like sailing. My wife’s family is of New England whaling stock. She grew up sailing the flat bottom, gaff-rigged skiffs that evolved from the workboats designed to sail the shallow bays and shoals of Cape Cod. Her grandmother wrote a wonderful story, The Cut of Her Jib, which she took from a journal and letters of her grandfather, a whaling captain, and her grandmother. Have a look.

cover-cut-of-her-jibOkay, back to torturing the metaphor. When I go to my critique groups, I get gusts of wind coming from different directions. They’re like the changing winds that bedevil sailors near the shore. But those contrary breezes, if you read them right, you sail a better line. Same with the critical comments. I’m somewhere just off shore with my third novel, Open Circuit, tacking and backing, trying to maneuver.

After you pull free of the shoals and into the ocean, the wind steadies. You have to trim the sail and determine which line work best. Not unlike the work of editing once the story’s laid out. I’m halfway through the first substantial edit on my second novel, Skins and Bone, realizing I’m in deep water. I better navigate right or I’ll miss the point of the island.

Awright, awright. I think I’ve bludgeoned that metaphor enough.

Back to the editing …

Author: John Rogers

I have thought of myself as a writer for most of my adult life. In 2011, I became a fiction writer full time. I studied creative writing as an English major in college. Then came family and career. I worked in finance and biotech and did a wonderful stint in Vienna. Now, I have the opportunity to use those experiences as the substrate for my stories. My first novel takes on the world of Big Data and the very timely issue of cyber war. The second uses the manipulation of financial derivatives as impetus for attempted murder during a trip from Vienna to Budapest on the Danube. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis. I am finding writers’ groups to be very helpful as concept editors, as well as practical advice from the published authors. I am in three such groups. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis.

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