Rewriting, Editing, R.U.E. and the two-by-four

About a week ago, I reblogged (yecch … are we brutalizing the language or just being creative?) — I reblogged a list of books on writing from Carly Watters.  I noticed one I wasn’t familiar with, Self-Editing for Fiction Writers (Renni Browne and Dave King).  It promised to speak to the challenge just ahead for my second nself-editing-for-fiction-writers1ovel:  Rewrite.  I ordered the book.

I’m pretty familiar with Rewrite.  I’m on the seventh pass through my first novel.  I think I’m getting better at it — at least, I know that I’d do the first two or three rewrites of novel #1 differently.

If you’re reading this because you’re a writer, get this book.  It’s short, practical and is almost sure to give you insight on what makes writing work, regardless of your level of sophistication.

For me, the two-by-four upside the head is B&K’s margin note R.U.E. (“Resist the Urge to Elaborate”).  So I guess the discussion of Hans Prohoffer’s improbably success in sabre fencing inserted in the middle of a fight scene in which he uses a parry two (that goes, too) when Le Pic lunges is out.  I do like to elaborate.

Anyway, I consumed the book in a day.  Consumed is like a dog consumes a beefsteak.  Big bites, not chewing much.  But, like that dog and that steak, I loved the process.  Now, to read it carefully.  Then rewrite.

Author: John Rogers

I have thought of myself as a writer for most of my adult life. In 2011, I became a fiction writer full time. I studied creative writing as an English major in college. Then came family and career. I worked in finance and biotech and did a wonderful stint in Vienna. Now, I have the opportunity to use those experiences as the substrate for my stories. My first novel takes on the world of Big Data and the very timely issue of cyber war. The second uses the manipulation of financial derivatives as impetus for attempted murder during a trip from Vienna to Budapest on the Danube. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis. I am finding writers’ groups to be very helpful as concept editors, as well as practical advice from the published authors. I am in three such groups. I have taken writing instruction at the Cape Cod Writers Conference and from The Loft in Minneapolis.

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