Mechanics, mechanics

One of the things I’m learning from reading other people’s work in progress is the importance and unimportance of mechanics. In several groups, I’ve read stuff that’s mechanically exquisite but not very interesting. Then the other day, there was a piece with interesting characters and the rhythm of a good song. But I had to keep stopping to reread because the Mechanicmechanics were ‘invented’ … no quote marks to set off dialog, one-line paragraphs breaking up thoughts, commas where they shouldn’t be, none where they should be, and so on. Maybe James Joyce or Faulkner can do that stuff, but it’s hard for we mortals.

I’m realizing good mechanics make it easier for the reader to enjoy the story. Sure, breaking convention is sometimes important, but it’s harder to pull off that plain vanilla mechanics.