Critique Groups and the Mirror

As I pass through the stations of writing skill improvement, I am realizing that I have a custom set of writing weaknesses.  I got a notion of it from critique groups … the same issues kept coming up again and again.  It was cemented by the editor who raked over my second novel with a fine-toothed linguistic comb.  The same problems kept recurring.  For me, it was leading a sentence with description, following with action.  (“Hearing a knock, John went to the door.”) Or having a character say something, then having me as narrator come along behind and tell the poor benighted reader what the character meant (rather that writing the character’s statement well enough to convey the feeling in the words). And so on. There were … ahem … many others.

Conclusory Bludgeon

Any Google search will provide a list of tens or even hundreds of these writing mistakes.  It’s a little less daunting that one’s own style features a few … not all … of them.

There is an advantage of critique groups that has only recently become clear to me:  It’s easier to see one’s own weaknesses in other people’s writing.  As in: “The scene is engaging, but in the second paragraph, Jason’s facial expression and sigh says it all.  You don’t need the sentence that tells us that Jason’s exasperated.”  Oops … wait a minute … I do that too.  But I don’t see it as easily (ego, perhaps?) in my own writing.

Critique of others’ work teaches me to look in the mirror, and … oops again.  You already knew that without the conclusory bludgeon, didn’t you?

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